Author: Damian Jones

Thom Yorke shares full details of ‘Confidenza’ soundtrack and music video for new song ‘Knife Edge’

The record is set to drop later this week

The post Thom Yorke shares full details of ‘Confidenza’ soundtrack and music video for new song ‘Knife Edge’ appeared first on NME.

NME

Thom Yorke has shared full details of the forthcoming Confidenza soundtrack and the first taster from the record ‘Knife Edge’.

In January, it was revealed that the Radiohead and The Smile frontman was composing original music for the film (which translates to “Trust”) from Italian director Daniele Luchetti, based on the book by Domenico Starnone.

Now, it has been confirmed that he has worked on the soundtrack with the London Contemporary Orchestra alongside a jazz ensemble which includes The Smile and Sons Of Kemet drummer Tom Skinner.

It is set to drop digitally this Friday (April 26) with a release set for vinyl and CD on July 12. You can pre-order/pre-save all formats here. Yorke has also shared the first song from the record, the video for which you can view below.

The full tracklisting for the record has also been revealed, which you can view below.

1. ‘The Big City’
2. ‘Knife Edge’
3. ‘Letting Down Gently’
4. ‘Secret Clarinet’
5. ‘In The Trees’
6. ‘Prize Giving’
7. ‘Four Ways In Time’
8. ‘Confidenza’
9. ‘Nosebleed Nuptials’
10. ‘Bunch Of Flowers’
11. ‘A Silent Scream’
12. ‘On The Ledge’

The film stars Elio Germano, Vittoria Puccini and Isabella Ferrari, and follows Pietro Vella who works in a run down Roman high school. A synopsis reads: “He strongly believes he can help students strive for a better future and Teresa, and bright and rebellious student, is totally taken with him and his lessons. Then, a few years later, they meet up again and get romantically entangled. Teresa insists they must share their deepest secrets to bond for life. But as soon as Pietro really opens up, the relationship ends.”

Confidenza is the latest score Yorke has composed, having first ventured into film music on 2018’s Suspiria. He’s also contributed to soundtracks for Motherless Brooklyn, Children Of Men and Vanilla Sky.

In a three-star review of Suspiria upon its release in 2018, NME wrote: “Yorke has big shoes to fill for his first foray into soundtrack work: Goblin’s original score is so famed, loved and damn iconic that there is a heavy expectation weighing upon him. His is first heard in Act 1, through a plaintive piano melody housing a pining falsetto. It’s all rather sonorous and innocuous, bearing passing semblance to his band’s, ‘Pyramid Song’, and his remaining work is sturdy and evocative, if not barnstorming in its residual impression.”

Yorke had previously admitted to being “jealous” of his Radiohead bandmate Jonny Greenwood‘s work on film scores.

Greenwood meanwhile recently announced How To Disappear, his new photo book that documents the bassist’s life with Radiohead.

The post Thom Yorke shares full details of ‘Confidenza’ soundtrack and music video for new song ‘Knife Edge’ appeared first on NME.

Thom Yorke shares full details of ‘Confidenza’ soundtrack and music video for new song ‘Knife Edge’

The record is set to drop later this week

The post Thom Yorke shares full details of ‘Confidenza’ soundtrack and music video for new song ‘Knife Edge’ appeared first on NME.

NME

Thom Yorke has shared full details of the forthcoming Confidenza soundtrack and the first taster from the record ‘Knife Edge’.

In January, it was revealed that the Radiohead and The Smile frontman was composing original music for the film (which translates to “Trust”) from Italian director Daniele Luchetti, based on the book by Domenico Starnone.

Now, it has been confirmed that he has worked on the soundtrack with the London Contemporary Orchestra alongside a jazz ensemble which includes The Smile and Sons Of Kemet drummer Tom Skinner.

It is set to drop digitally this Friday (April 26) with a release set for vinyl and CD on July 12. You can pre-order/pre-save all formats here. Yorke has also shared the first song from the record, the video for which you can view below.

The full tracklisting for the record has also been revealed, which you can view below.

1. ‘The Big City’
2. ‘Knife Edge’
3. ‘Letting Down Gently’
4. ‘Secret Clarinet’
5. ‘In The Trees’
6. ‘Prize Giving’
7. ‘Four Ways In Time’
8. ‘Confidenza’
9. ‘Nosebleed Nuptials’
10. ‘Bunch Of Flowers’
11. ‘A Silent Scream’
12. ‘On The Ledge’

The film stars Elio Germano, Vittoria Puccini and Isabella Ferrari, and follows Pietro Vella who works in a run down Roman high school. A synopsis reads: “He strongly believes he can help students strive for a better future and Teresa, and bright and rebellious student, is totally taken with him and his lessons. Then, a few years later, they meet up again and get romantically entangled. Teresa insists they must share their deepest secrets to bond for life. But as soon as Pietro really opens up, the relationship ends.”

Confidenza is the latest score Yorke has composed, having first ventured into film music on 2018’s Suspiria. He’s also contributed to soundtracks for Motherless Brooklyn, Children Of Men and Vanilla Sky.

In a three-star review of Suspiria upon its release in 2018, NME wrote: “Yorke has big shoes to fill for his first foray into soundtrack work: Goblin’s original score is so famed, loved and damn iconic that there is a heavy expectation weighing upon him. His is first heard in Act 1, through a plaintive piano melody housing a pining falsetto. It’s all rather sonorous and innocuous, bearing passing semblance to his band’s, ‘Pyramid Song’, and his remaining work is sturdy and evocative, if not barnstorming in its residual impression.”

Yorke had previously admitted to being “jealous” of his Radiohead bandmate Jonny Greenwood‘s work on film scores.

Greenwood meanwhile recently announced How To Disappear, his new photo book that documents the bassist’s life with Radiohead.

The post Thom Yorke shares full details of ‘Confidenza’ soundtrack and music video for new song ‘Knife Edge’ appeared first on NME.

Manchester’s new Co-Op Live arena “regretfully” postpone opening shows from Peter Kay

Liam Gallagher, Olivia Rodrigo and Keane are among the acts who will perform at the venue in the coming months

The post Manchester’s new Co-Op Live arena “regretfully” postpone opening shows from Peter Kay appeared first on NME.

NME

Organisers at Manchester’s new Co-Op Live arena have postponed their opening Peter Kay shows.

The Bolton comedian was due to perform tomorrow (April 23) and Wednesday (April 24) but following a test gig featuring Rick Astley at the weekend, it has been decided that the dates will be moved to next Monday (April 29) and Tuesday (30) due to the venue’s power testing falling “a few days” behind schedule.

A statement from the venue said: “Following our first test event on Saturday, regretfully we have made the difficult decision to reschedule our two opening performances by Peter Kay. It is critical to ensure we have a consistent total power supply to our fully electric sustainable venue, the completion of which is a few days behind.

“Rescheduling gives us the extra time we need to continue testing thoroughly. This is vital to satisfy the rigorous set of guidelines and protocols that are necessary for a venue of this size.”

All tickets remain valid and ticket holders will be contacted by their point of purchase.

The venue said refunds would be available for any ticketholders who could no longer attend the event, and flagged that the date change might mean new tickets become available for fans who missed out the first time round.

The venue added: “We are very sorry for the inconvenience that this change will undoubtedly cause for some. We are thrilled to welcome Peter Kay as our grand opening act just a few days later than planned.”

The statement also confirmed that the venue will still be hosting The Black Keys this Saturday (April 27).

Kay meanwhile issued a statement saying he was “truly gutted” about the postponement.

He added: “I know how disappointing this will be for everyone with tickets, but obviously it’s a brand-new venue and it’s important that everything is finished and safe for full capacity audiences.

“Fortunately, we’ve been able to reschedule the shows to next week, (I’ll have to miss my Bums & Tums class) but hopefully I’ll see you then.”

Liam Gallagher, Take That, Nicki Minaj, Olivia Rodrigo and Keane are among the acts who have been announced to perform at Co-Op Live in the coming months. It’ll also stage the 2024 MTV European Music Awards later this year.

Recently, Co-Op Live and the existing, 21-000 capacity AO Arena in the city came to blows in a licensing row. ASM Global, which operates the latter venue, objected over “public safety” concerns and accused the application for a licence as being “simply unlawful”.

Despite the row, the venue officially had its licence granted last month.

The post Manchester’s new Co-Op Live arena “regretfully” postpone opening shows from Peter Kay appeared first on NME.

Manchester’s new Co-Op Live arena “regretfully” postpone opening shows from Peter Kay

Liam Gallagher, Olivia Rodrigo and Keane are among the acts who will perform at the venue in the coming months

The post Manchester’s new Co-Op Live arena “regretfully” postpone opening shows from Peter Kay appeared first on NME.

NME

Organisers at Manchester’s new Co-Op Live arena have postponed their opening Peter Kay shows.

The Bolton comedian was due to perform tomorrow (April 23) and Wednesday (April 24) but following a test gig featuring Rick Astley at the weekend, it has been decided that the dates will be moved to next Monday (April 29) and Tuesday (30) due to the venue’s power testing falling “a few days” behind schedule.

A statement from the venue said: “Following our first test event on Saturday, regretfully we have made the difficult decision to reschedule our two opening performances by Peter Kay. It is critical to ensure we have a consistent total power supply to our fully electric sustainable venue, the completion of which is a few days behind.

“Rescheduling gives us the extra time we need to continue testing thoroughly. This is vital to satisfy the rigorous set of guidelines and protocols that are necessary for a venue of this size.”

All tickets remain valid and ticket holders will be contacted by their point of purchase.

The venue said refunds would be available for any ticketholders who could no longer attend the event, and flagged that the date change might mean new tickets become available for fans who missed out the first time round.

The venue added: “We are very sorry for the inconvenience that this change will undoubtedly cause for some. We are thrilled to welcome Peter Kay as our grand opening act just a few days later than planned.”

The statement also confirmed that the venue will still be hosting The Black Keys this Saturday (April 27).

Kay meanwhile issued a statement saying he was “truly gutted” about the postponement.

He added: “I know how disappointing this will be for everyone with tickets, but obviously it’s a brand-new venue and it’s important that everything is finished and safe for full capacity audiences.

“Fortunately, we’ve been able to reschedule the shows to next week, (I’ll have to miss my Bums & Tums class) but hopefully I’ll see you then.”

Liam Gallagher, Take That, Nicki Minaj, Olivia Rodrigo and Keane are among the acts who have been announced to perform at Co-Op Live in the coming months. It’ll also stage the 2024 MTV European Music Awards later this year.

Recently, Co-Op Live and the existing, 21-000 capacity AO Arena in the city came to blows in a licensing row. ASM Global, which operates the latter venue, objected over “public safety” concerns and accused the application for a licence as being “simply unlawful”.

Despite the row, the venue officially had its licence granted last month.

The post Manchester’s new Co-Op Live arena “regretfully” postpone opening shows from Peter Kay appeared first on NME.

Fat White Family’s Lias Saoudi hits out at IDLES for “grandstanding on that woke ticket”

They previously labelled the Bristol band a “bunch of self neutering middle class boobs”

The post Fat White Family’s Lias Saoudi hits out at IDLES for “grandstanding on that woke ticket” appeared first on NME.

NME

Fat White Family frontman Lias Saoudi has laid into IDLES, accusing them of “grandstanding on that woke ticket”.

The band have previously criticised the Bristol outfit, siding with Sleaford Mods when frontman Jason Williamson accused IDLES of “appropriating a working class voice” and said their take on politics is “cliched, patronising, insulting and mediocre”, adding that he doesn’t “like them at all”.

At the time, Saoudi said they were 100 per cent with Williamson, and added that “the last thing our increasingly puritanical culture needs right now is a bunch of self neutering middle class boobs telling us to be nice to immigrants; you might call that art, I call it sententious pedantry.”

Now, he has taken a further pop at the Bristol band yet again.

Joe Talbot of IDLES on stage on March 8, 2024 in Amsterdam, Netherlands. CREDIT: Paul Bergen/Getty Images)

Saoudi told The Independent: “I don’t mind bands being dull or whatever, fair enough, but when you’re grandstanding on that woke ticket I just find that anathema to what rock n’ roll really is, which is the reprobates. This is freak country. We don’t bring that kind of thing in here.”

He continued: “We’re at the end of the band era. Everything is a rehash of a rehash of a rehash. It is the vapour in the tank. People have become, essentially, like the internet… just nodes in a machine and it’s essential for the efficiency of that machine’s functionality that there’s as little friction between these nodes as possible.

“It’s everything turns into everything else and the result is nothingness. People have become streams of interchangeable code and I think the one bright side about that, if you’re a musician, is you have this ridiculous access to all of these other genres and periods. Why not just soup them all together?”

IDLES frontman Joe Talbot recently spoke to NME about their political stance.

When it was put to him that they have never been a band with a political manifesto as such, he said: “I would say that the manifesto is, ‘All is love, love is the thing’. I’ve been saying it from the start. It’s about human connection. It’s the fable of the sun and the wind: you can fucking blow as hard as you can and just keep screaming down the barrel of the gun and it ain’t gonna change shit. But if you shine and you show people compassion, you listen and you have an open heart, then maybe that connection will be made.”

“Art and music is whatever you want it to be. I also like people shouting at me and telling me I’m a prick sometimes. It’s all important,” he added. “I grew up on hip-hop, but I did not live that life – but it’s important to me and I fucking love it. My calling is what I’m doing, and I’m loving it very much so and I’m grateful to be here.”

In a more recent interview with The Independent, Talbot said that he “misses” the time when Gordon Brown was prime minister, and thinks that Keir Starmer is the “best person” to lead the country at the moment.

He also said: “If you allow people to say you’re a political band, they can throw you in the bin. They can write you off. Coming at things as a ‘political band’ and smashing that into people’s faces isn’t of interest to us because it wears people down too quickly. It makes them too defensive, especially if they’re of a different opinion to you. Our idea is to shake that person’s hand and say, let’s talk and have a conversation.”

Later this summer, IDLES are set to tour, and recently announced that Genesis Owusu, Lambrini Girls, Chalk and more would be joining them as special guests on the dates. You can purchase any remaining tickets here. They also revealed which song in their back catalogue they see as “a bad haircut” and never play live.

Meanwhile, Fat White Family recently announced a 2024 UK and European tour in support of new album ‘Forgiveness Is Yours’, which is out on April 26. You can purchase tickets to the UK dates here.

The post Fat White Family’s Lias Saoudi hits out at IDLES for “grandstanding on that woke ticket” appeared first on NME.

Rick Astley opens UK’s new biggest indoor arena in Manchester, after some test gig tickets were axed for fans

The show saw Astley perform a host of his classic hits and covers

The post Rick Astley opens UK’s new biggest indoor arena in Manchester, after some test gig tickets were axed for fans appeared first on NME.

NME

Rick Astley performed at the Manchester venue Co-Op Live in Manchester over the weekend.

The star played as part of a test event on Saturday (April 20) ahead of the official opening of the 23,500 capacity venue tomorrow (April 23).

The new venue, which is the UK’s largest indoor arena, is located opposite Manchester’s Etihad Stadium, and features a “unique bowl design” that will bring fans “closer to the artist than at other arenas of equivalent size”, according to a spokesperson.

Ahead of Astley’s performance, bosses at the venue apologised after some tickets were axed ahead of the show in order to reduce the capacity to 11,000.

“To enable us to test the spaces effectively, we have made the difficult decision to reduce overall capacity for today’s test event,” a Co-op Live spokesman told BBC News.

Tickets have instead been offered The Black Keys on April 27 “as a gesture of our appreciation”, the spokesman added.

The show saw Astley perform a host of his classic hits including ‘Never Gonna Give You Up’ along with Sam Fender, Harry Styles and AC/DC covers. You can view footage below.

Peter Kay will officially open the venue tomorrow. Liam Gallagher, Take That, Nicki Minaj, Olivia Rodrigo and Keane are among the acts who have been announced to perform at Co-Op Live in the coming months. It’ll also stage the 2024 MTV European Music Awards later this year.

Recently, Co-Op Live and the existing, 21-000 capacity AO Arena in the city came to blows in a licensing row. ASM Global, which operates the latter venue, objected over “public safety” concerns and accused the application for a licence as being “simply unlawful”.

Despite the row, the venue officially had its licence granted last month.

Meanwhile, a band recently went viral for sharing a cover of Wheatus’ hit ‘Teenage Dirtbag’ in the style of Astley.

The post Rick Astley opens UK’s new biggest indoor arena in Manchester, after some test gig tickets were axed for fans appeared first on NME.

Embrace announce ‘Out Of Nothing’ 20th anniversary UK tour

Tickets go on sale later this week

The post Embrace announce ‘Out Of Nothing’ 20th anniversary UK tour appeared first on NME.

NME

Embrace have announced plans for a UK tour to mark the 20th anniversary of their landmark album ‘Out Of Nothing’.

The band will hit the road for 11 dates in November to play the album in full, kicking off in Newcastle on November 14 before wrapping up at the O2 Institute in Birmingham on November 30. The jaunt will also include a stop at London’s O2 Shepherd’s Bush Empire the night before (November 29).

Tickets for the shows, which you can view below, go on sale this Friday (April 26) at 9am BST and can be purchased here.

Released in September 2004, ‘Out Of Nothing’ became the band’s biggest selling album of their career to date, debuting at Number One in the UK albums chart before going on to sell over 600,000 copies.

The album catapulted the band back to the top of the charts off the back of their Top 10 hit single ‘Gravity’, written by Coldplay‘s Chris Martin, and the band’s follow up hit ‘Ashes’.

It came three years after Embrace had been dropped by former record label Hut Recordings.

Frontman Danny McNamara said of the album and forthcoming tour: “I really can’t believe it’s been 20 years since we released the album. It was such a key moment in the life of the band, and the lives of us as individuals. The band took day jobs to keep going, we had no choice, but we believed in ourselves, and we believed in the songs we were writing. That’s where the album title comes from, we had nothing, but out of that we were determined to build something great.”

He added: “The fact that we managed to do that, and the fact that the fans were still there for us when we came back after being dropped by Hut is what makes this album so special to us. We’ve waited 20 years to celebrate the record, now’s the time!”

Ahead of the tour, Embrace will perform the album in full at Kirkstall Abbey in Leeds on July 27, with Ocean Colour Scene, Ash, Sleeper and CUD. You can purchase tickets here.

Last year. the band celebrated the 25th anniversary of their debut album ‘The Good Will Out’ with a UK tour.

The full dates for their ‘Out Of Nothing’ tour are as follows:

NOVEMBER

14 – Newcastle Boiler Shop
16 – Manchester Academy
19 – Cardiff Tramshed
20 – Nottingham Rock City
21 – Oxford O2 Academy
22 – Bristol O2 Academy
25 – Southampton Enginerooms
26 – Brighton Chalk
28 – Norwich Waterfront
29 – London O2 Shepherd’s Bush Empire
30 – Birmingham O2 Institute 

The post Embrace announce ‘Out Of Nothing’ 20th anniversary UK tour appeared first on NME.

Embrace announce ‘Out Of Nothing’ 20th anniversary UK tour

Tickets go on sale later this week

The post Embrace announce ‘Out Of Nothing’ 20th anniversary UK tour appeared first on NME.

NME

Embrace have announced plans for a UK tour to mark the 20th anniversary of their landmark album ‘Out Of Nothing’.

The band will hit the road for 11 dates in November to play the album in full, kicking off in Newcastle on November 14 before wrapping up at the O2 Institute in Birmingham on November 30. The jaunt will also include a stop at London’s O2 Shepherd’s Bush Empire the night before (November 29).

Tickets for the shows, which you can view below, go on sale this Friday (April 26) at 9am BST and can be purchased here.

Released in September 2004, ‘Out Of Nothing’ became the band’s biggest selling album of their career to date, debuting at Number One in the UK albums chart before going on to sell over 600,000 copies.

The album catapulted the band back to the top of the charts off the back of their Top 10 hit single ‘Gravity’, written by Coldplay‘s Chris Martin, and the band’s follow up hit ‘Ashes’.

It came three years after Embrace had been dropped by former record label Hut Recordings.

Frontman Danny McNamara said of the album and forthcoming tour: “I really can’t believe it’s been 20 years since we released the album. It was such a key moment in the life of the band, and the lives of us as individuals. The band took day jobs to keep going, we had no choice, but we believed in ourselves, and we believed in the songs we were writing. That’s where the album title comes from, we had nothing, but out of that we were determined to build something great.”

He added: “The fact that we managed to do that, and the fact that the fans were still there for us when we came back after being dropped by Hut is what makes this album so special to us. We’ve waited 20 years to celebrate the record, now’s the time!”

Ahead of the tour, Embrace will perform the album in full at Kirkstall Abbey in Leeds on July 27, with Ocean Colour Scene, Ash, Sleeper and CUD. You can purchase tickets here.

Last year. the band celebrated the 25th anniversary of their debut album ‘The Good Will Out’ with a UK tour.

The full dates for their ‘Out Of Nothing’ tour are as follows:

NOVEMBER

14 – Newcastle Boiler Shop
16 – Manchester Academy
19 – Cardiff Tramshed
20 – Nottingham Rock City
21 – Oxford O2 Academy
22 – Bristol O2 Academy
25 – Southampton Enginerooms
26 – Brighton Chalk
28 – Norwich Waterfront
29 – London O2 Shepherd’s Bush Empire
30 – Birmingham O2 Institute 

The post Embrace announce ‘Out Of Nothing’ 20th anniversary UK tour appeared first on NME.

Grimes makes fun of her own failed Coachella set during weekend two performance

It comes after she faced technical difficulties the previous weekend

The post Grimes makes fun of her own failed Coachella set during weekend two performance appeared first on NME.

NME

Grimes poked fun at her own failed Coachella set during her second performance at the festival over the weekend.

The singer’s set the previous weekend was engulfed by a myriad of problems, leaving her screaming out in frustration multiple times.

She apologised to the crowd at the time, saying: “All my tracks are double tempo and I can’t do the math. They’re borderline un-mixable, so the rest of my set won’t be mixes but it’ll still be fun.”

Ahead of her show on Saturday (April 20) Grimes issued a promise that she’d be well-prepared for the performance.

At the beginning of her show, she started her performance with a video that showed a series of masked characters trolling the singer with comments such as “she can’t DJ”. You can view the clip above.

Unlike her first set, Grimes’ performance at the weekend seemed to go off without a hitch.

Elsewhere, Kid Cudi‘s set at came to an abrupt end last night (April 21) after the rapper broke his foot during his performance.

He jumped off the stage to get closer to his fans at the barricades, but broke his foot in the process during ‘Memories’. He was carried out of the Sahara Tent while his DJ played Steve Aoki’s remix of ‘Pursuit Of Happiness’.

DJ Snake also brought out 50 Cent as a guest performer during his set as the rapper performed a medley of three songs: ‘Many Men (Wish Death)’, ‘In Da Club’ and ‘P.I.M.P’.

Sabrina Carpenter closed out her final Coachella performance of 2024 with a cheeky nod to her partner Barry Keoghan.

The post Grimes makes fun of her own failed Coachella set during weekend two performance appeared first on NME.

Watch Tool make surprise appearance at A Perfect Circle, Puscifer and Primus show

It was part of frontman Maynard James Keenan’s 60th birthday celebrations

The post Watch Tool make surprise appearance at A Perfect Circle, Puscifer and Primus show appeared first on NME.

NME

Tool made a surprise appearance over the weekend during frontman Maynard James Keenan‘s ‘Sessanta Tour’ featuring his bands A Perfect Circle, Puscifer and Primus.

The tour, which celebrates the frontman’s 60th birthday, reached the Hollywood Bowl on Saturday (April 20) and at the end Keenan brought out Tool’s Danny Carey, Adam Jones, and Justin Chancellor.

Keenan joked, “Danny’s up there, like, ‘You call this a fuckin’ drum set! Where’s the rest of it?’,” alluding to the drummer’s usual elaborate setup, ahead of the band performing  ‘Ænema’ with Primus’ Les Claypool.

Despite a strict no filming policy until the last song of the night, which is usually Puscifer’s ‘Grand Canyon’, Keenan also allowed fans to film Tool’s performance, which you can view below.

Earlier in the evening, original A Perfect Circle members Paz Lenchantin and Troy Van Leeuwen also joined the band for a performance of ‘Judith’.

The concert also marked the last appearance for APC’s drummer John Freese before he tours with the Foo Fighters.

It was confirmed last month that Freese would rejoin A Perfect Circle for the tour, 13 years after he last played with the band.

It marks A Perfect Circle’s first run of shows since 2018, when they embarked on both US and European dates in support of their fourth studio album ‘Eat The Elephant’.

The ‘Sessanta Tour’ will continue for a series of dates before wrapping up at Flushing Hills Stadium in New York on May 4. Any remaining tickets can be found here.

A Perfect Circle, Puscifer and Primus also recently joined forces to release the joint EP ‘Sessanta E.P.P.P’.

Keenan, meanwhile, is currently helping to train Mike Tyson ahead of his boxing match against Jake Paul on July 20.

Elsewhere, Freese recently recalled the unexpected moment Dave Grohl asked him to join the Foo Fighters.

The post Watch Tool make surprise appearance at A Perfect Circle, Puscifer and Primus show appeared first on NME.

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