ANOHNI and the Johnsons: <em>My Back Was A Bridge For You To Cross</em>

After 13 years, Anohni gets the band back together for a soulful and intense record that provides a safe place to grieve nothing less than the destruction of the planet.

Best New Albums - Pitchfork

After 13 years, Anohni gets the band back together for a soulful and intense record that provides a safe place to grieve nothing less than the destruction of the planet.

Joanna Sternberg: <em>I’ve Got Me</em>

The New York City songwriter meets the hardest of feelings with uncommon compassion. Their second album’s singsong ditties and openhearted ballads play like new standards.

Best New Albums - Pitchfork

The New York City songwriter meets the hardest of feelings with uncommon compassion. Their second album’s singsong ditties and openhearted ballads play like new standards.

Blue Lake: <em>Sun Arcs</em>

Layering his custom-built 48-string zither with slide guitar, clarinet, and pump organ, the Texas native makes music that draws as much from drone and ambient as from jazz and Americana.

Best New Albums - Pitchfork

Layering his custom-built 48-string zither with slide guitar, clarinet, and pump organ, the Texas native makes music that draws as much from drone and ambient as from jazz and Americana.

Feeble Little Horse: <em>Girl With Fish</em>

The Pittsburgh noise-pop experimentalists come into their own on a short yet richly textured album full of fuzzy melodic hooks and beguiling left turns.

Best New Albums - Pitchfork

The Pittsburgh noise-pop experimentalists come into their own on a short yet richly textured album full of fuzzy melodic hooks and beguiling left turns.

Youth Lagoon: <em>Heaven Is a Junkyard</em>

Trevor Powers has long shown a penchant for reinvention, but his first album as Youth Lagoon in eight years feels like a homecoming; he’s never sounded so confident or at peace with himself.

Best New Albums - Pitchfork

Trevor Powers has long shown a penchant for reinvention, but his first album as Youth Lagoon in eight years feels like a homecoming; he’s never sounded so confident or at peace with himself.

Amaarae: <em>Fountain Baby</em>

The Ghanaian American singer’s dazzling second album is a confident and unconventional record that flows, saunters, and boasts its way to one of the best pop albums of the year.

Best New Albums - Pitchfork

The Ghanaian American singer’s dazzling second album is a confident and unconventional record that flows, saunters, and boasts its way to one of the best pop albums of the year.

Water From Your Eyes: <em>Everyone’s Crushed</em>

The Brooklyn duo’s logic-defying new album threads anticapitalist critique, stoner humor, and a hazy undercurrent of fatalism into art-pop so mesmerizing it’ll give you a contact high.

Best New Albums - Pitchfork

The Brooklyn duo's logic-defying new album threads anticapitalist critique, stoner humor, and a hazy undercurrent of fatalism into art-pop so mesmerizing it'll give you a contact high.

Mandy, Indiana: <em>i’ve seen a way</em>

The Manchester quartet’s debut album fuses dance rhythms, corroded guitars, and seething vocals into a transfixing blend of violence and transcendence.

Best New Albums - Pitchfork

The Manchester quartet’s debut album fuses dance rhythms, corroded guitars, and seething vocals into a transfixing blend of violence and transcendence.

billy woods / Kenny Segal: <em>Maps</em>

The New York rapper reconnects with the Los Angeles producer for a masterful road-trip album. Humor and dread, weed and food, technique and style—billy woods is in full command of it all.

Best New Albums - Pitchfork

The New York rapper reconnects with the Los Angeles producer for a masterful road-trip album. Humor and dread, weed and food, technique and style—billy woods is in full command of it all.

Nourished by Time: <em>Erotic Probiotic 2</em>

Filtering the sound of ’80s freestyle through a buoyant, time-warped haze, the debut album from singer/producer Marcus Brown is both captivating and elusive.

Best New Albums - Pitchfork

Filtering the sound of ’80s freestyle through a buoyant, time-warped haze, the debut album from singer/producer Marcus Brown is both captivating and elusive.

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