Gillian Welch: Boots No. 2: The Lost Songs, Vol. 1
Quickly recorded in 2002 to fulfill a publishing contract, this archival trove cements the singer-songwriter and her steadfast partner, David Rawlings, as modern masters of American folk.
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Quickly recorded in 2002 to fulfill a publishing contract, this archival trove cements the singer-songwriter and her steadfast partner, David Rawlings, as modern masters of American folk.
On her solo debut, the L.A.-based singer and songwriter taps members of the War on Drugs and Warpaint for winning songs about finding delight in despair.
Co-produced by Wye Oak, the singer-songwriter’s new album reckons with a past of self-doubt and a present of intense uncertainty in order to shape something like a satisfying future.
Anchored by a punishing and timely take on Neil Young’s “Southern Man,” this unexpected covers collection finds the audacious Southern band cutting loose.
In a collaboration with the stunning singers Theo Bleckmann and Jodie Landau, the sharp young composer processes poems and strings into surprisingly magnetic meditations on time.
On their most compelling album in more than a decade, the discursive metal trio folds their broad musical interests into a relentless series of hardcore oddities.
On their most compelling album in more than a decade, the discursive metal trio folds their broad musical interests into a relentless series of hardcore oddities.
Two-thirds of The Comet Is Coming, plus poet and saxophonist Alabaster DePlume, offer ecstatic anthems for battling fascism, capitalism, and catastrophe.