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The improvising guitarist’s first album for Drag City is restless and unsettling. Building on his idea of improvisation as a non-hierarchical value system, it is also a kind of protest record.
Chaz Bear (of Toro y Moi) teams up with New York club producer AceMo for a fun, spirited, spontaneous debut EP.
The latest from the pair of Italian experimental musicians marked by its simplicity, distilling their music down to its most lyrical and affecting form yet.
This striking release from the eclectic duo brings together 99 collaborators to create an enthralling picture of the present moment.
Filled with ruthlessly efficient grooves, the latest EP from the Montreal producer is his most assured work yet.
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit Bill Callahan’s masterful 1999 record as Smog, a breakup album about discovering new ways of being in …
Working with a stripped-down palette of synthesizers and almost no drums, the UK producer reconnects with the fundamental sense of strangeness that runs through his best music.
Lange, better known as Helado Negro, teams with the visual artist Kristi Sword for a sprawling and inspired project paying tribute to the Marfa, Texas sky.
DeForrest Brown Jr.’s most ambitious release yet is a 49-minute suite that brings together fractured, shuddering drum programming with spoken-word poetry, collage, and noise.
A pair of new EPs splits the German producer’s work down the middle: ISS005 is reserved strictly for big, bruising club tracks, while ISS006 trades the drums for pure, beatless ambient.