Mike Kinsella’s latest is his most relentlessly morose and objectively gorgeous work as Owen to date.
On their second LP, the New Zealand indie rockers downshift into a muted, sleeker sound, sacrificing some of the...
The singer and former G.O.O.D. Music signee returns with a palette of adult contemporary synth-pop and early-’10s R&B. It’s...
When they recorded 2015’s late-career highlight The Waterfall, MMJ wrote enough material for two albums. If the original was...
Working with a stripped-down palette of synthesizers and almost no drums, the UK producer reconnects with the fundamental sense...
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in...
Lange, better known as Helado Negro, teams with the visual artist Kristi Sword for a sprawling and inspired project...
Newly reissued with bonus material for its 50th anniversary, the Dead’s fourth album returned them to their folk-blues roots...
The experimental D.C. duo’s latest album is made up of slabs of textured noise and decayed vocals, but they...
Rufus Wainwright’s first original album in eight years isn’t so much a reinvention as an opulently crafted highlight reel,...
Recent Posts
- MR. BIG’s ERIC MARTIN Says ‘Nobody Could Agree’ On Cover For Upcoming Album: ‘It Was Ridiculous’
- Guitar Center to Prioritize “Premium Product” Over “$300 Guitars”
- VINCE NEIL Says He Hates MÖTLEY CRÜE’s ‘Generation Swine’ Album: There Are ‘No Good Songs On It’
- Netflix Is a Joke Fest: 15 Shows to Check Out This May
- Nish Kumar wants to play James Bond “as a prank”