Oso Oso: <em>Sore Thumb</em>

The Long Island emo band’s adventurous new album is a document of abstract experiments and stoned afternoons, stranger than their previous work while still buzzing with the pursuit of bliss.

Best New Albums - Pitchfork

The Long Island emo band’s adventurous new album is a document of abstract experiments and stoned afternoons, stranger than their previous work while still buzzing with the pursuit of bliss.

Rosalía: <em>MOTOMAMI</em>

The Spanish superstar’s third album is a showcase for Rosalía’s exceptional range. It aspires to stretch itself out across genres and play with form, and attains exactly what it sets out to achieve.

Best New Albums - Pitchfork

The Spanish superstar’s third album is a showcase for Rosalía’s exceptional range. It aspires to stretch itself out across genres and play with form, and attains exactly what it sets out to achieve.

Karate: <em>The Bed Is in the Ocean</em>

The latest entry in a vital reissue series from Numero Group lives at the nexus of the Boston jazz-rock band’s strange evolution. Their daring interplay sounds as if the songs are still being constructed as you listen.

Best New Albums - Pitchfork

The latest entry in a vital reissue series from Numero Group lives at the nexus of the Boston jazz-rock band’s strange evolution. Their daring interplay sounds as if the songs are still being constructed as you listen.

Charlotte Adigéry / Bolis Pupul: <em>Topical Dancer</em>

The Belgian duo’s debut album pairs punchy, propulsive electro pop with inventive sound design, absurdist wit, and sly jabs at racism and xenophobia.

Best New Albums - Pitchfork

The Belgian duo’s debut album pairs punchy, propulsive electro pop with inventive sound design, absurdist wit, and sly jabs at racism and xenophobia.

Huerco S.: <em>Plonk</em>

On his first album as Huerco S. in six years, the Kansas musician trades his customary ambient textures for an hour’s worth of intricate, off-center head trips.

Best New Albums - Pitchfork

On his first album as Huerco S. in six years, the Kansas musician trades his customary ambient textures for an hour’s worth of intricate, off-center head trips.

Hurray for the Riff Raff: <em>Life on Earth</em>

Alynda Segarra’s powerful eighth album exudes a glorious irreverence. Their self-described “nature punk” songs are both intimate and immense, and they’ve never sounded more honest or self-possessed.

Best New Albums - Pitchfork

Alynda Segarra’s powerful eighth album exudes a glorious irreverence. Their self-described “nature punk” songs are both intimate and immense, and they’ve never sounded more honest or self-possessed.

Jazmine Sullivan: <em>Heaux Tales, Mo’ Tales: The Deluxe</em>

On a triumphant deluxe edition of her 2021 opus, the Philadelphia singer lays the groundwork for growth with several new songs and interludes, including an appearance from Issa Rae.

Best New Albums - Pitchfork

On a triumphant deluxe edition of her 2021 opus, the Philadelphia singer lays the groundwork for growth with several new songs and interludes, including an appearance from Issa Rae.

yeule: <em>Glitch Princess</em>

The pioneering second album from the London-based avant-pop artist is a darkly nuanced look at identity and technology, where personal disasters occur at the same scale as the actual apocalypse. 

Best New Albums - Pitchfork

The pioneering second album from the London-based avant-pop artist is a darkly nuanced look at identity and technology, where personal disasters occur at the same scale as the actual apocalypse. 

Big Thief: <em>Dragon New Warm Mountain I Believe in You</em>

Big Thief’s ambitious yet unburdened fifth album is a 20-song epic of kaleidoscopic invention, striking beauty, and wigged-out humor, rambling far beyond the bounds of their previous work.

Best New Albums - Pitchfork

Big Thief’s ambitious yet unburdened fifth album is a 20-song epic of kaleidoscopic invention, striking beauty, and wigged-out humor, rambling far beyond the bounds of their previous work.

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