Australian indie-pop duo Royel Otis are due to embark on a tour of the UK and Europe later this year – check out the full list of tour dates below.
Last night (May 2), the pair of Royel Madden and Otis Pavlovic took to social media to announce a number of tour dates across Europe and the UK this year, with a run of four shows in July before returning for a lengthier run between November and December.
Stops will include shows in Oxford, Sheffield, Liverpool, London, Glasgow, Leeds and Manchester among others.
Pre-sale tickets for Royel Otis’ Glory To Glory UK and Europe tour will go on sale on Wednesday, May 8 at 10am BST, while general tickets go on sale two days later on Friday, May 10 at 10am. Sign up for tickets here.
Royel Otis’ Glory To Glory Europe and UK tour dates 2024 are:
JULY:
09 – O2 Academy – Bournemouth
10 – O2 Academy 2 – Oxford
11 – Foundry – Sheffield
12 – Arts Club – Liverpool
NOVEMBER
26 – Trinity – Bristol
27 – Electric Ballroom – London
28 – O2 Academy 2 – Birmingham
29 – SWG3 TV Studio – Glasgow
30 – Riverside – Newcastle
DECEMBER
01 – Stylus – Leeds
03 – New Century Hall – Manchester
Apart from announce their tour dates for Europe and the UK, the stars of NME‘s The Cover have also released two new bonus tracks from their debut album, ‘Pratts & Pain’: ‘Merry Mary Marry Me’ and ‘Claw Foot’, both of which you can listen to below.
Written alongside their debut album, ‘Pratts & Pain’, ‘Merry Mary Marry Me’ is a grunge-tinged tune that chronicles the feeling of being left behind as everyone around you settles into marriage and relationships. While not as sonically adventurous as their other released, the track is still undeniably Royel Otis.
‘Claw Foot’ features a more frenetic and lively chorus that’s more aligned with the rest of their album that begs to be played in the summertime.
Per a press released, Royel Otis’ viral cover of Sophie Ellis-Bextor’s ‘Murder On The Dancefloor’ for triple J’s ‘Like A Version’ franchise has also been certified gold.
‘Pratts & Pain’ scored a four-star review upon its release earlier this year, with NME‘s Andy Brown writing: “Though ‘Pratts & Pain’ will launch in the middle of a dreary February, Royel Otis may have to wait a few months for their achievement to be properly recognised. This is an album destined for festival season greatness – for cool-breeze drives, warm summer parties, and late-night singalongs.”
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