‘Battlefield Hardline 2’ is the ‘Battlefield’ sequel we need right now

With EA unveiling the next iteration of FPS goliath Battlefield next week, it’s a good time for people that like watching things explode. The rumoured narrative of a “near-future” Battlefield might be a result for fans, but it’s time we stop lying to ourselves. READ MORE: Red Bull Kumite reminds me how much I miss […]

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With EA unveiling the next iteration of FPS goliath Battlefield next week, it’s a good time for people that like watching things explode. The rumoured narrative of a “near-future” Battlefield might be a result for fans, but it’s time we stop lying to ourselves.

READ MORE: Red Bull Kumite reminds me how much I miss offline fighting game tournaments

Sure, a near-future warfare experience might tick boxes, but what if those series epic battles, and all of that next-gen technical mastery, were taken back to the streets? In 2015, Visceral Games’ final release Battlefield: Hardline had these goals in their crosshair.

Introduced into the series after superlative success with Battlefield 3 and a lot of people playing the less-good-but-still-ok Battlefield 4, fans at the time weren’t expecting EA to hand over the keys from series favourites DICE to Dead Space creators Visceral Games. Having worked primarily on The Sims and various movie tie-in projects before their horror opus, Visceral Games were an unlikely candidate to command the aircraft carrier-sized blockbuster Battlefield was steering. At the time, its main competitor Call of Duty was experimenting with questionable results in the aforementioned futuristic Warfare instalments. The notion of boots-on-the-ground was now just a footnote on the jetpacks of players zipping around new ideas.

Rather than tackle their aesthetic overhaul head-on, Battlefield: Hardline opted to strip away the ideas of militaristic pursuits for that of circumstances infused with the grit, sweat and kevlar of procedural police combat. Backed by a prestige TV style introduction for all of its “episodes” present in a Miami Vice-esque narrative, Hardline wore its palm tree influenced vistas on its sleeve. By controversially attempting to replace high realism with an injection of proudly cheesy drama, white knuckle stealth passages and the inevitable story beats of deception and justice, Visceral Games took on its rival with a reinvention ready to refresh the Battlefield experience.

 

Six years later, despite commercial disappointment and a divisive fanbase, the Hardline servers are still busy. With multiplayer acting as the bread and butter for most franchise enthusiasts, it is still easy enough to grab a game with what are seemingly veterans of this underrated gem. Game modes might be limited due to the player count, but the thrill of hard rock pulsating through squad cars whilst pursuing thieves never fails to induce a smile. Conquest on the simply brilliant Downtown map is enough to sink hours of intense sniper duels, skyscraper raids and tactical combat into.

If anything, Hardline‘s biggest issue was skewing back too far towards the militaristic: which felt unrealistic at the time but, well, police driving an APC through a wall to engage bank robbers no longer seems like as much of a stretch.

Aside from the usual escapades available from a Battlefield game, Heists and Blood Money (the latter essentially a blueprint for Warzone’s Plunder) keep engagement fresh. In tandem with the always grand sound design expected from these games, the visual dressing of street-level justice boosts the immersion of taking perps down.

The next generation of console gaming is now giving developers an unheard amount of power, as hardware and software development continues to push the envelope on what we perceive to be a true gaming experience. Whilst Battlefield 6 is potentially ready to take that envelope into the stratosphere, it is a shame that a sequel to Hardline won’t ever get the chance to impress in the same way. Understandably, the last generation can’t be left behind just yet but it is worrying to a degree that Battlefield 6 might not necessarily push the boundaries as much as we think. Touted to be a high-quality experience across all generations, there is still that mindset of holding back on what the game is capable of, to ensure it meets reasonable stability on last-gen consoles.

Three years have passed since Battlefield V hit the scene, leaving a sour taste upon launch. As Call of Duty and other competitors have shown their hand by tapping into the modern zeitgeist of live service gaming, there is still the confidence that DICE will deliver a dependable yet seminal product. Hardline 2 could have been the introduction of a new Battlefield for a new generation.

Similar to its reinvention at a time where science fiction combat was the trend, maybe another trip back to the simplistic yet effective notions of police warfare should have been the next step. From a purely imaginative standpoint with the power of PlayStation 5 and Xbox Series S/X in mind, the idea of a multi-million dollar Hardline adventure with gorgeous, modern fidelity and buttery smooth frame rates feels like it would be a triumphant installment. Taking the idea of the “Levolution” destruction system to new heights on this hardware is just the start too. Gone are the scripted events of environmental chaos shown in 2015, here there could be something to stand stall with recent favourite Battlefield 1.

The spectacular sensations available through the DualShock 5’s haptics beg to be explored. Chasing down suspects through dingy alleyways, as the gravel and coarse pavement is relayed through the remote. The patter of rain hitting a squad car windshield as the engine roars and precinct radio chatter squawks through the DualShock’s speaker.

In a climate where future-focused narratives of warfare beyond our comprehension seem more appealing, the time to innovate on a leftfield installment might have led to an image of Battlefield offering players a platform to try a rejuvenation in the FPS genre. I’m hopeful that Battlefield 6 will give us something that speaks to these lofty heights. For now, I’ll be Downtown backing up my squad. Battlefield: Hardline 2 is the sequel we need right now.

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Flea to Star in Damien Chazelle’s New Film Babylon

The RHCP bassist joins a cast that already includes Brad Pitt, Margot Robbie, Katherine Waterston, Max Minghella, and more.

Flea to Star in Damien Chazelle’s New Film Babylon
Alex Young

Consequence

Flea has landed a role in Damien Chazelle’s upcoming film Babylon.The Red Hot Chili Peppers bassist joins an all-star cast that already includes Brad Pitt, Margot Robbie, Katherine Waterston, Max Minghella, Diego Calva, Samara Weaving, Rory Scovel, and Lukas Haas, among others.While plot details are a closely guarded secret, Babylon…

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Flea to Star in Damien Chazelle’s New Film Babylon
Alex Young

Previously Unheard Prince Track “Born 2 Die” Released: Stream

Taken from the late icon’s shelved 2010 album Welcome 2 America, which comes out of the vault next month.

Previously Unheard Prince Track “Born 2 Die” Released: Stream
Ben Kaye

Consequence

Next month, the Prince Estate will open the Paisley Park vault to unearth Prince’s shelved 2010 album Welcome 2 America. After sharing the title track earlier this year, the Estate has now released another early preview of the LP, “Born 2 Die”.Recorded in the spring of 2010, “Born 2 Die”…

Please click the link below to read the full article.

Previously Unheard Prince Track “Born 2 Die” Released: Stream
Ben Kaye

Liz Phair – ‘Soberish’ review: an icon honours her legacy – and sets a new path

The cult indie star is back with her first new album in a decade – it’s a refreshing reminder of her brilliance

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Since 1993, Liz Phair has primarily been remembered for her debut album ‘Exile in Guyville’, a classic record from the indie canon which playfully skewered the sexism at the core of rock’n’roll. A double album based on The Rolling Stones’ ‘Exile on Main St’ the record saw the US musician taking the potent sexuality of Mick Jagger, and owning it for herself – gatekeepers be damned.

Her next records – 1994’s ‘Whip-Smart’ and 1998’s ‘Whitechocolatespaceegg’ – were just as accomplished, and then came Phair’s major label debut ‘Liz Phair’. Perhaps unfairly, it saw the musician lambasted for ‘selling out’ with the pop-leaning anthems that would later become gateway songs for her next generation of fans. ‘Somebody’s Miracle’ would be her final major label record in 2005 – and was followed by the wilfully strange, self-released album ‘Funstyle’ five years later. After that, Phair went on a kind of hiatus, not touring for eight years. Instead she focused on writing memoir Horror Stories, and worked in television scoring and sound design.

And after a rocky ride in the industry, ‘Soberish’ – Liz Phair’s first new album in a decade – marks a return to the sound of her earlier records and the home-recorded cassettes she released as Girly Sounds in the early ‘90s. One such link comes from her choice of collaborator – Brad Wood produced Phair’s first two albums, and a handful of tracks from ‘Whitechocolatespaceegg’.

Liz Phair has long been interested in drawing the beauty out of imperfection: a ‘wrong’ finger placement nudging a neighbouring fret, the subtle buzz of a fingertip. And in Wood, she finds the perfect creative match – together, they weave these small moments into something that sounds alive.

Dig into these pacey, indie rock songs, and you’ll find countless experimental touches and snatches of studio chatter (on ‘Bad Kitty’ you can hear Phair shout-whispering at her 20-something son, who helped her to record during lockdown). ‘Spanish Doors’, a song about pasting on a smile after discovering something life-changing at a social event, sees three competing choruses jostling for headspace. “Don’t wanna think about it, don’t wanna talk about it,” lulls a chipper robotic vocal; underneath, Phair sings of unsmiling ghosts in the mirror, and her biggest fears. “I can’t hide my lying face,” sings a buried vocal, “there’s no way out for me and you”.

The sleeve for ‘Soberish’ shows a crossroads, and this is also an album about transitional moments. On ‘Sheridan Road’ the splutter of a motorbike makes way for a rumbling storm; Phair looks back over years of memories “merging, converging” on this same Chicago road. Beneath spiky, restless guitars, the title track finds her in the blurred phase between intoxicated and sober. “Tell me, why do we keep dicking around?” she asks, plain-speaking as ever. “Waited such a long time to be with you, now I’m chickening out”. And ‘Good Side’ sees Phair breaking away from a relationship and only leaving fond memories behind; “There’s so many ways to fuck up a life,” she quips in the opening line, “I’ve tried to be original”. It screens like a break-up song, but also feels like a song about artistic legacy.

Speaking of legacy: ‘Soberish’ serves as a reminder of Liz Phair’s brilliance after years of underestimation. Far from simply drawing on her most critically acclaimed albums, it draws on the whole lot, and finds newness within. ‘Bad Kitty’ (sample lyric: “My pussy is a big dumb cat / It lies around lazy and fat”) feels like a throwback to Phair’s most playful side: evident both on the debut and her 2010 release ‘Funstyle’. ‘In There’ and ‘Soul Sucker’ show off her atmospheric prowess, and sit closest to Whitechocolatespaceegg’.

These are all songs that, just like the rest of Phair’s finest moments, have a delicious knack for becoming lodged in your brain.

Release date: June 11

Release label: Chrysalis Records

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GRAND FUNK RAILROAD Announces ‘Some Kind Of Wonderful’ Summer/Fall 2021 U.S. Tour

GRAND FUNK RAILROAD is gearing up to return to the road in 2021, starting July 2 in Fayetteville, Georgia, with another 29 shows to follow this year.

After playing to millions of fans on the band’s tours from 1996 to 2019, GRAND FUNK will continue to …

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GRAND FUNK RAILROAD is gearing up to return to the road in 2021, starting July 2 in Fayetteville, Georgia, with another 29 shows to follow this year. After playing to millions of fans on the band's tours from 1996 to 2019, GRAND FUNK will continue to reach both new and longtime fans on the "Some Kind Of Wonderful Tour", named in honor of the band's 1975 Billboard pop smash. Originating from Flint, Michigan in 1969, this top-selling American rock group of the 1970s is "Comin' To Your Town To Help You Party It Down". Notably, this year marks the 50th anniversary of when the group's show at New York's Shea Stadium sold out faster than THE BEATLES. Known as "The American Band," the high-energy five-piece group GRAND FUNK RAILROAD includes original founding members Don Brewer (vocals and drums, writer and singer of the multi-million selling hit "We're An American Band") and bassist Mel Schacher, "The God of Thunder." Joining Don and Mel are true "all stars." Singer Max Carl is a rock veteran from 38 SPECIAL. Max penned and sang 38's biggest hit "Second Chance" and was co-founder of California's legendary JACK MACK AND THE HEART ATTACK. Don refers to Max as "the best blue-eyed soul singer on the planet." Lead guitarist Bruce Kulick is best known for his 12 years with KISS and has credits with Michael Bolton, Meat Loaf and Billy Squier. (KISS members Gene Simmons and Paul Stanley were influenced early on by GRAND FUNK.) Keyboardist Tim Cashion has a master's degree in music from the University of Miami. Affectionately called "Dr. Tim," his credits include stints with Bob Seger and the SILVER BULLET BAND and English soul man Robert Palmer. GRAND FUNK laid the groundwork for such bands as FOREIGNER, JOURNEY, VAN HALEN and BON JOVI with its signature hard-driving sound, soulful vocals, muscular instrumentation and forceful pop melodies. The fact that GRAND FUNK's legacy still reigns over the classic rock landscape 50 years after is a testament to the group's influence and staying power. Mega-hits "We're An American Band", "I'm Your Captain/Closer to Home", "Locomotion" and "Some Kind Of Wonderful" still receive continuous airplay on classic rock radio. "We're An American Band" has received notoriety in recent years being used in movie soundtracks and in television/radio advertising. The huge hit was featured in a General Motors national TV ad campaign and in Disney's animated feature film "The Country Bears". "We're An American Band" was featured in the Cuba Gooding Jr. film "Radio", and in the swash buckler "Sahara" starring Matthew McConaughey. Internationally acclaimed GRAND FUNK has toured the world, selling out in the U.S., Canada, Europe, Japan and South America. The group's widespread appeal is also evident in its prestigious recording achievements. Over their career, GRAND FUNK has had 19 charted singles, eight Top 40 hits and two No. 1 singles ("We're An American Band" and "Locomotion", both selling more than one million each). The group has now accumulated 13 gold and 10 platinum records with record sales exceeding 25 million copies sold worldwide. The most recent gold CD award was presented to the band for their greatest-hits package "The Collectors Series". The multi-talented band carries on the tradition of GRAND FUNK hits and creates a new chapter in the legacy of GRAND FUNK RAILROAD. GFR drew 25,000 people to their Molson Canal Series Concert outside Buffalo, 20,000 in Albany, New York, and 20,000 fans to downtown Orlando, Florida. EMI/Capitol (Universal Music) released a new greatest-hits package that includes a bonus DVD of rare concert footage. GRAND FUNK RAILROAD's 2019 "50 Years Of Funk Tour" was a huge success and now, with the group's 2021 "Some Kind Of Wonderful Tour", seasoned GRAND FUNK lovers and contemporary rock fans discovering the group for the first time will be able to celebrate 50 years of funk with GRAND FUNK RAILROAD. 2021 GRAND FUNK RAILROAD tour dates: Tour dates: Jul. 02 - Fayetteville, GA - Southern Ground Amphitheater Jul. 04 - Harrisburg, NC - Harrisburg 4th of July Celebration Jul. 10 - Chippewa Falls, WI - Northern Wisconsin State Fair Jul. 24 - Walker, MN - Moondance Jam Jul. 31 - Marion, IL - Marion Cultural and Civic Center Aug. 06 - Waterloo, NY - del Lago Resort & Casino Aug. 08 - Webster, MA - Indian Ranch Aug. 14 - Mount Pleasant, MI - Soaring Eagle Casino & Resort Aug. 27 - Big Flats, NY - Summer Stage at Tag's Sep. 04 - Portsmouth, OH – (to be announced) Sep. 05 - Wauseon, OH - Fulton County Fair Sep. 09 - Cohasset, MA - South Shore Music Circus Sep. 10 - Hyannis, MA - Cape Cod Melody Tent Sep. 17 - Biloxi, MS - Hard Rock Hotel & Casino Biloxi Sep. 18 - Kansas City, MO - Ameristar Casino Hotel Kansas City Sep. 24 - French Lick, IN - French Lick Resort Oct. 01 - (to be announced) Oct. 03 - Dallas, TX - (to be announced) Oct. 08 - Northfield, OH - MGM Northfield Park Oct. 09 - (to be announced) Oct. 15 - Las Vegas, NV - (to be announced) Oct. 22 - Reno, NV - Grand Sierra Resort Nov. 06 - Florence, SC - (to be announced) Nov. 12 - (to be announced) Nov. 13 - (to be announced) Nov. 20 - (to be announced) Nov. 27 - (to be announced) Dec. 03 - (to be announced)

Jodie Foster to receive honorary award at Cannes film festival

“Cannes is a festival to which I owe so much”

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Jodie Foster is set to receive an honorary award at this year’s Cannes film festival.

Foster will be the festival’s guest of honour at the event’s opening ceremony on July 6 where she will receive an honorary Palme d’Or.

Speaking about the award, Foster said: “Cannes is a festival to which I owe so much, it has completely changed my life. Although I had directed before, my first time on the Croisette was a defining moment for me.

“Showcasing one of my films here has always been a dream … Cannes is a festival by auteur film-makers who honour artists.”

Jodie Foster – CREDIT: Alamy

The festival’s president Pierre Lescure said: “Jodie Foster has provided us with an amazing gift by coming to celebrate the return of the festival on the Croisette.”

While Cannes general delegate Thierry Frémaux added: “Jodie never ceases to reinvent herself. She questions with her piercing gaze, learns from others, and is willing to step back from her beliefs in order to forge new morals.”

The festival’s line-up was announced today after a series of delays caused by the ongoing coronavirus pandemic.

Meanwhile, Foster reunited with her Silence of the Lambs co-star Anthony Hopkins back in January, for the film’s 30th anniversary.

The pair, who took part in Variety‘s Actors on Actors series, sat down for an hour over video chat to talk about their new projects – Foster for her work on The Mauritanian, and Hopkins on his Oscar-winning lead in The Father.

Foster described hearing Hopkins first read his part in Silence of the Lambs, saying: “I felt a chill come over the room. In a way, it was like we were almost too scared to talk to each other after that.”

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